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Dez meses depois de decreto apostas esportivas saída do Corinthians, o treinador português Vítor Pereira segue recebendo inúmeras perguntas sobre o tempo😆 que passou no Timão. Nesta terça-feira, 12, durante uma entrevista ao podcast Ataque Rápido, o técnico revelou o real motivo😆 que o fez deixar o clube paulista àquela altura.

Segundo o português, essencialmente, o que realmente o fez deixar o Corinthians😆 foi a falta de dinheiro e de projeto esportivo. Em decreto apostas esportivas seguida, Vítor ainda ironizou as críticas feitas a ele😆 pelo presidente do Timão, Duílio Monteiro Alves, que anteriormente havia se referido ao treinador como um “irmão”.

“Custou muito sair do😆 Corinthians, mas senti que tinha que sair. Não tinha possibilidade de construir aquilo que queria. Ouvir seu nome cantado no😆 estádio em decreto apostas esportivas quase todos os jogos, em decreto apostas esportivas um treino aberto... ali no Corinthians eu me senti corintiano, que😆 era mais um da família. Mas também senti que não havia projeto absolutamente nenhum, fazer melhor do que aquilo que😆 fizemos era impossível. Essencialmente o problema era falta de dinheiro, acredito que eles façam o melhor possível. Apesar do que😆 diz o Duilio e alguns jogadores... enquanto estava lá era irmão, depois que saí virei um delinquente”, afirmou o treinador.

Ainda😆 de acordo com Vítor Pereira, as ressalvas à estrutura do clube não foram expostas inicialmente pelo treinador em decreto apostas esportivas respeito😆 aos funcionários do Timão. Até por isso, publicamente, as questões familiares do treinador surgiram quando optou em decreto apostas esportivas deixar o😆 time da capital paulista.

“Em conversa entre a comissão, decidimos ir embora do Brasil. Ter um tempo em decreto apostas esportivas casa para😆 estudar, refletir e melhorar. E eu me despeço do Corinthians dessa forma, por razões familiares. E por gostar muito das😆 pessoas, não quis apontar que, sinceramente, não vejo um projeto ganhador, capaz de valorizar o clube acima do que tínhamos😆 feito. Por razões familiares, em decreto apostas esportivas uma conversa pessoal, de amigo com o presidente, falei que precisava voltar para casa”,😆 concluiu.

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1982 Mexican-American supernatural horror film directed by Damiano Damiani

Amityville II: The Possession is a 1982 supernatural horror film directed by💻 Damiano Damiani and starring James Olson, Burt Young, Rutanya Alda, Jack Magner, and Diane Franklin. The screenplay by Tommy Lee💻 Wallace is based on the novel Murder in Amityville by the parapsychologist Hans Holzer. It is the second film in💻 the Amityville Horror film series and a loose prequel to The Amityville Horror (1979), set at 112 Ocean Avenue and💻 featuring the fictional Montelli family, loosely based on the DeFeo family. It follows the Montelli family's decline under apparent demonic💻 forces present in their home.

A co-production between the United States and Mexico, principal photography took place at the same Toms💻 River, New Jersey residence featured in the first film, while interiors were shot exclusively on soundstages at Estudios Churubusco in💻 Mexico City. After test screenings were completed, Damiani's original cut of the film was slightly truncated to tone down its💻 overt incestuous sexuality and a rape sequence, which audiences responded to unfavorably.

Released by Orion Pictures in the fall of 1982,💻 Amityville II: The Possession received mixed reviews from critics, though some, such as Roger Ebert, felt it was superior to💻 its predecessor, an opinion that has been echoed by contemporary reviewers.[4]

Plot [ edit ]

The Montellis, an Italian American family headed💻 by Anthony Montelli and his wife, Dolores, move into 112 Ocean Avenue in Amityville, New York, with their children, Sonny,💻 Patricia, Mark, and Jan.

An evil presence is shown to be lurking within the house, unknown to the family. Unusual and💻 paranormal activities occur, such as unknown forces banging on the door at night when nobody is outside and an ugly💻 demonic message being painted on the wall of Jan's room. For the latter, Anthony blames and beats his children, Jan💻 and Mark, then beats Dolores for intervening, resulting in a fight between the entire family. Concerned by these developments, Dolores💻 tries to have the local Catholic priest, Father Frank Adamsky, bless the house, but an argument breaks out within the💻 family shortly after another demonic incident causes significant damage to the kitchen. Anthony blames the younger children again and hits💻 Jan as Adamsky tries to intervene, but Anthony rudely orders him to leave. To Dolores' mortification, Adamsky leaves, disgusted at💻 Anthony's behavior. He finds his car door open and the Bible on the passenger seat torn to pieces. The situation💻 inside the home continues to deteriorate; Anthony is shown to be strict, abusive, sacrilegious towards the Catholic faith, violent towards💻 his family, and forcing his wife to have sex with him against her will. Dolores tries to keep things together💻 for the youngest children.

The family goes to church with Anthony, so he can apologize for being rude to Adamsky, although💻 Anthony only agrees to do it after Dolores threatens to divorce him. Sonny stays at home, claiming to feel unwell.💻 He soon hears an alarming noise and goes downstairs to get his father's gun. He hears demonic laughter and follows💻 it to a tunnel in the basement. The unseen presence pursues a frightened Sonny to his room, and he then💻 falls victim to demonic possession. Now possessed, Sonny approaches Patricia to play a game with him. They pretend he is💻 a famous photographer and she is his nude model. Patricia agrees to pose naked, and the pair end up having💻 incestuous sex. Patricia is then seen at confession, partially confessing to the act and telling the priest that he does💻 it to "hurt God" but not revealing that it was her brother she slept with.

Sonny becomes more sinister and demonic,💻 as his face starts contorting demonically. Startled, he tries to keep his family away but is unsuccessful due to the💻 demon's influence. On Sonny's birthday, he isolates himself from his birthday party, but Patricia goes to check on him. She💻 tells him she does not feel guilty about what they have been doing, but due to his demonic phases and💻 his body's gradual demonic contortions, Sonny sends her away, using foul language. Patricia runs away crying, and she tries to💻 tell Adamsky that she thinks Sonny is possessed, but he does not respond. Later that night, the evil spirit tells💻 Sonny to "kill them all." Sonny goes and gets his father's rifle and kills his parents, Jan, Mark, and finally💻 Patricia, after hunting her down.

The next day the police arrive, pick up the bodies, and Sonny is arrested. Sonny tells💻 Adamsky at the scene that he does not recall killing his family. Adamsky then realizes that Sonny is possessed and💻 asks the bishops if he can perform an exorcism on him, but they refuse, not believing him. He then decides💻 to perform an exorcism without the support of the Catholic Church. After freeing him from police custody, Adamsky takes Sonny💻 to church. Sonny attacks him and escapes after seeing the crosses on the doors. Adamsky runs after Sonny, traces him💻 to the house, and performs the exorcism, releasing Sonny's soul. As the police arrive, Adamsky asks Father Tom to take💻 Sonny away from him. Tom takes Sonny outside, where the police arrest him and take him back into custody. It💻 is revealed that the demon has transferred itself into Adamsky. Father Adamsky's fate and his whereabouts are left unknown, and💻 eventually, the house is put up for sale.

Cast [ edit ]

Production [ edit ]

Development [ edit ]

The film was an💻 international co-production film between The United States and Mexico. George Lutz wanted the sequel to the 1979 film to be💻 based on the book The Amityville Horror Part II by John G. Jones, but the producer Dino De Laurentiis secured💻 a deal with American International Pictures for a sequel based on Murder in Amityville by Hans Holzer. Lutz sued De💻 Laurentiis and ultimately lost, but succeeded in having posters placed in theaters stating "This film has no affiliation with George💻 and Kathy Lutz."[5] The film was later acquired by Filmways, which in turn was acquired by Orion Pictures shortly before💻 release.[2]

Filming [ edit ]

Production was originally set to begin in September 1981 with a screenplay by David Ambrose and under💻 the direction of John Hough. However, production was pushed back and they were both replaced. Principal photography began March 8,💻 1982 at the same residence in Toms River, New Jersey that the previous film used.[2] After two weeks on location💻 in New Jersey, studio shooting was completed in Mexico City for eight or nine weeks at Estudios Churubusco Azteca S.A.[2]💻 The production's decision to shoot interiors in Mexico was largely due to economic reasons.

After director Damiano Damiani's original cut of💻 the film was shown to test audiences, several scenes had to be cut out for various reasons, one of them💻 being the negative reaction of the audience to a scene in which Anthony anally rapes Dolores and another scene in💻 which Sonny and Patricia have incestuous sex. This scene was added into the script by Damiani who wanted to really💻 upset the viewers. The original scene was much more graphic and sexual, while in the movie it cuts to the💻 next scene almost immediately after Sonny starts kissing Patricia. Some other deleted scenes were shown on lobby cards and stills💻 for the movie, such as a scene in which Anthony is sitting outside the house drinking and cleaning a gun💻 and a scene where Jan is pushing Mark's head under the water while he is in the bathtub. The theatrical💻 trailer also shows a shot of Jan and Mark looking at the window and holding hands. The only deleted scene💻 which was ever released in some form is the so-called "Lost Souls" scene, originally from near the end of the💻 movie, in which souls that are within the house appear in front of Adamsky and he blesses them. No actual💻 footage was released but a UK special collector's edition DVD includes several stills from this deleted scene.[7][8]

Release [ edit ]

Box💻 office [ edit ]

Amityville II: The Possession was distributed theatrically in the United States by Orion Pictures on September 24,💻 1982. It earnedR$4,104,277 during its opening weekend,[9] and grossed a total ofR$12,534,817 over the course of its initial theatrical run.

Critical💻 response [ edit ]

The film received marginally favorable reviews at the time of its release. As of May 2024 ,💻 internet review aggregator website Rotten Tomatoes gives the film an approval rating of 24%, based on 21 reviews, with an💻 average rating of 4.2/10.[10]

Dann Gire of the Chicago Daily Herald thought the film used excessive effects, and found the storyline💻 not as interesting as what it could have been.[11] Roger Ebert of the Chicago Sun-Times, who gave the first film💻 a negative review, claimed the film "is actually slightly better than The Amityville Horror" and mentioned some good technical credits💻 and performances and gave the film 2 out of 4 stars.[12] Both he and Gene Siskel selected the film as💻 one of the worst of the year in a 1982 episode of Sneak Previews.[13] Variety complained that there are "actually💻 two films meandering in this mess — one a second rate horror flick about a family in peril, and another💻 that is a slight variation on the demon-possessed Exorcist theme."[14] Likewise, Boxoffice called this attempt to cash-in on the success💻 of The Amityville Horror an "embarrassment."[15]

Richard F. Shepard of The New York Times noted that there is "some reasonably competent💻 acting here, but it has a supporting role next to the stars, which are the camera and the special effects💻 department. The director, Damiano Damiani, conjures up the malevolent spirit of the house in shots that show the camera creeping💻 up on people and in scenes of things crashing about in the house."[16] Kevin Thomas of the Los Angeles Times💻 gave the film a marginally favorable review, writing that it "stands quite sturdily on its own... Rather than seeming derivative,💻 Amityville II: The Possession seems to incorporate motifs from everything from The Exorcist to Poltergeist in an original and unexpectedly💻 spiritual way. Damiano Damiani has exceeded in his bravura."[17]

Accolades [ edit ]

Rutanya Alda was nominated for a Razzie as Worst💻 Supporting Actress for this film, her second consecutive after the previous years' nod for Mommie Dearest in the same category.

Contemporary💻 opinion [ edit ]

Writing for Bloody Disgusting, Meagan Navarro argued in a 2024 editorial that Amityville II: The Possession is💻 a superior film to its 1979 predecessor, featuring better pacing and special effects,[4] a sentiment similarly stated by Roger Ebert💻 at the time of the film's original release.[12]

Home media [ edit ]

MGM Home Entertainment released Amityville II: The Possession on💻 DVD on April 5, 2005.[18]

Scream Factory released the film on Blu-ray in 2013, as part of The Amityville Trilogy set,💻 which also included The Amityville Horror (1979) and Amityville 3-D (1983).[19]

Related works [ edit ]

A follow-up film titled Amityville 3-D💻 (1983) was released the following year, loosely based on the accounts of paranormal investigator Stephen Kaplan, who was trying to💻 prove the Lutz family's story was a hoax. The film has little to no connection to this film, or even💻 the first film, as it doesn't reference the Montelli family at all, and instead makes reference to the actual DeFeo💻 family.

References [ edit ]

Sources [ edit ]

Curti, Roberto (2024). Italian Gothic Horror Films, 1980-1989. McFarland. ISBN 978-1476672434 .

Further reading [💻 edit ]

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