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Since Cabaret first opened in 1966, people have described the show the same way: it shows how the Nazis used the decadence and moral decline of 1930 Berlin to come to power.
In 1966, the musical was risqu for Broadway. It was very sexy, recalls Joe Masteroff, now 96, who wrote the book. There were girls out in nightclub clothes. One thing I will never forget: When the show opened in Boston, there were a lot of walkouts.
The real horror is that Michael could be anyone. He could be anyone's neighbor. He could be in anyone's household. Michael is the shape of a human but is a vessel of evil, which is why the simplicity of his look and actions are so important.
The reason Michael Myers is so scary is because he can tap into our fear of the unknown. There's a very uncanny valley quality about him. He's in the shape of a man, but we can tell that something is off about him.
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