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In this popular version the Medusa is a monster with hair of a thousand snakes. She is under a curse which causes everything she looks at to turn to stone. Cixous explains that this monstrous image of the Medusa exists only because it has been directly determined by the male gaze.
In Greek mythology, the dreaded monster Medusa was half woman and half serpent. Even the bravest warriors were no match for her. It is said that she was so nasty that just one look at her and her hair full of deadly snakes would turn any mortal into stone.

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Encanto (Original Motion Picture Soundtrack) is the soundtrack album to Disney's 2024 film of the same name. Released by Walt Disney Records on November 19, 2024, the album contains eight original songs written by Lin-Manuel Miranda and produced by Mike Elizondo that were recorded by various singers, and 27 score pieces composed by Germaine Franco. It was released in 44 languages in addition to English and Spanish.

To develop the soundtrack, Miranda and team visited Colombia—the setting of Encanto—to study the country's music. Consequentially, the album is rooted in genres such as vallenato, cumbia, bambuco and rock en español, making use of the traditional music instruments of Colombia, and incorporates salsa, tango, reggaeton and bachata styles alongside pop, hip hop, folk and musical theatre elements. In the film, the songs are performed by the Madrigals, who are a multigenerational family with magical powers granted to them by a "miracle"; the lyrical themes revolve around individuality, self-worth, transgenerational trauma and familial love.

The soundtrack album was a commercial success, enjoying widespread popularity after Encanto's release on Disney+. It topped the Billboard 200 chart for nine weeks, and charted all of its original songs on the US Billboard Hot 100. Elsewhere, the album reached number one in Australia, Canada, New Zealand, and the United Kingdom, and the top ten in various other territories. "We Don't Talk About Bruno" by various members of the Encanto cast and "Surface Pressure" by Jessica Darrow have been the album's best-selling tracks; the former topped the UK Singles and the US Hot 100 charts for multiple weeks, while the latter peaked at numbers four and eight, respectively. Encanto became the first Disney animated film to generate multiple top-10 Hot 100 entries. Additionally, "We Don't Talk About Bruno" is the second number-one song for Disney in the US after "A Whole New World" from Aladdin (1992), and its first-ever original song to reach number one in the UK.

Upon release, Encanto (Original Motion Picture Soundtrack) was met with critical acclaim and received various accolades. Reviews lauded its vibrant Latin music rhythms and complimented Miranda's musicianship. The album received the Annie Award for outstanding music in a feature film, the Grammy Awards for Best Compilation Soundtrack and Best Score Soundtrack for Visual Media, and Academy Award nominations for Best Original Score and Best Original Song ("Dos Oruguitas" by Sebastián Yatra), among other accolades.

Development [ edit ]

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Francisco Buarque de Hollanda (born 19 June 1944), popularly known simply as Chico Buarque,[a] is a Brazilian singer-songwriter, guitarist, composer, playwright, writer, and poet. He is best known for his music, which often includes social, economic, and cultural reflections on Brazil.

The firstborn son of Sérgio Buarque de Hollanda, Buarque lived at several locations throughout his childhood, though mostly in Rio de Janeiro, São Paulo, and Rome. He wrote and studied literature as a child and found music through the bossa nova compositions of Tom Jobim and João Gilberto. He performed as a singer and guitarist in the 1960s as well as writing a play that was deemed dangerous by the Brazilian military dictatorship of the time. Buarque, along with several Tropicalist and MPB musicians, was threatened by the Brazilian military government and eventually left Brazil for Italy in 1969. However, he came back to Brazil in 1970, and continued to record, perform, and write, though much of his material was suppressed by government censors. He released several more albums in the 1980s and published three novels in the 1990s and 2000s.

In 2024, Buarque was awarded the Camões Prize, the most important prize for literature in the Portuguese language. However, awarding of the prize was delayed by four years due to actions by Jair Bolsonaro, but Buarque received it in April 2024.[1]

Early life and career [ edit ]

Buarque was born in Rio de Janeiro on 19 June 1944. He came from an intellectually privileged family background—his father Sérgio Buarque de Holanda was a well-known historian, sociologist and journalist and his mother Maria Amélia Cesário Alvim was a painter and pianist. He is also brother of the singer Miúcha and politician Ana de Hollanda. As a child, he was impressed by the musical style of bossa nova, specifically the work of Tom Jobim and João Gilberto. He was also interested in writing, composing his first short story at 18 years old[2] and studying European literature, also at a young age.[3] One of his most consuming interests, however, was playing football, beginning at age four, and he still played regularly in his 60s.[3] During his childhood, he lived in Rio de Janeiro, São Paulo and Rome.